Språk och litteratur Identifikatorer URN: urn:nbn:se:lnu:diva-91754 OAI: oai:DiVA. The spoken sometimes arrogant language become more distant and polite in the Swedish translation. The analyses show that eliminating repeated pronouns, that are used by Marguerite Duras in a way to express spoken language, and often with an arrogant touch to it, changes the language level in the translation. Stein ,' is a Lacanian text from 1965, first published in the Cahiers Renault-Barrault, a theatre publication of august memory in the December edition of that year. Fulks The 'Homage to Marguerite Duras, on Le ravissement de Lol V. Our analyses will be conducted by how these repetitions has been handled in the translation. A Sophism of Courtly Love Eric Laurent translated by Barbara P. Could we trace a relationship between the writer and the translator through the study of the translation? Repetition is by itself a delicate matter within translation studies, and we will consider repetition, in every form and variation, as a characteristic of style in the durasian writing. Stein, was reviewed in Swedish press, similarities in writing and style between the translator and the writer was often stated. When her Swedish translation of Le ravissement de Lol V. But how can we relate these changes to the translator’s individual style or voice? In our case the translator, Katarina Frostenson, is a famous poet and writer. The choices made in translation strategical, intuitive or conducted by language or linguistic strain, always influence the style in some way. How and why does changes in the translation influence the target text and its reading experience in Swedish? Combining stylistics and translation studies in a comparative and descriptive analyse, two different translations, both carried out by Katarina Frostenson, are being studied. The aim of this study is to examine style in Marguerite Duras novel Le ravissement de Lol V. The Ravishing of Lol Stein and its Swedish translation (Engelska)

The ravishing of lol v stein